‘The
Mudra kind of man’
Founder of Mudra and MICA AG Krishnamurthy talks
about essence of good advertising, and what makes for
a good ad professional
AG
Krishnamurthy is the chairman of AGK Brand Consulting.
He is the founder and former CMD of Mudra Communications
and founder of Mudra Institute of Communications, Ahmedabad.
Mudra, which was initially scoffed at as an inhouse
agency of Reliance, and which had just one client, went
on to become among the top agencies within a span of
just nine years. Mudra’s success was also considered
remarkable in that it broke apart from old stereotypes
of anglicised workplaces and celebrated Indianness in
its way of work and in its ads. Krishnamurthy, who contributes
a column AGK Speak in the Business Standard, has penned
two books on his vision for Mudra and his early experiences
with the company — The Invisible CEO: My Mudra
Years and Desi Dream Merchants. He delves into the issues
raised in these two books with Management Compass. Excerpts:
What
qualities should a ‘Mudra kind of man’ have,
besides Indianness? While you have touched on values
and the need to be a good human being, what kind of
values do you seek for success in a work culture?
I think the description ‘good human being’
is all encompassing. Inherent in this requirement are
the values that I sought for, in my team. A good human
being in my definition is someone who is able to exert
morally right decisions at every stage, whether the
seas are calm or rough. And is able to see beyond himself,
ie for his colleagues, the brand, the company etc, as
well. It is a tough demand but if your internal compass
is set right, it will surface. And when it does, it
is visible even to his harshest critics.
Another quality that we laid a great premium on was
positivity. We embraced the glass-is-half-full kind
of person and took extreme measures against those who
kept picking at their colleagues weaknesses and flaws.
In fact I remember sacking one of our people on the
spot because I walked into a ‘bitching session’
that he was conducting with a large group of people.
Constant cribbers are extremely detrimental in a small
organisation where morale can deteriorate very rapidly
because of one or two malcontents. In fact I remember
buying plane tickets for his wife and him to head back
to Bombay! Large organisations may be able to weather
small groups of ‘water-cooler or corridor cribbers’
but smaller set-ups most definitely lack the resilience
to counter it.
Mudra
has also done ads like Team Samsung and The honest shirt.
Are these Mudra kinds of ads — ones that a Mudra
kind of man with Indianness produces?
To me a Mudra kind of ad is sound on strategy and innovative
in execution. So that the ad gets noticed in a good
way. And yes, both Samsung and Peter England’s
Honest shirt
did do some very good work when I was there.
Clearly as someone who has built Mudra from scratch,
I will obviously stand by every single ad that carries
our key number. I would hate to be the one to pick favourites
but having said that, there are always some
ads that fulfil more of our criteria than others.
Since
you started on the premise of serving Indian clients,
why didn’t you stick to that mandate? Was attracting
foreign clients not against the ‘Indianness’
plank you started with?
Our first few clients were all Indian entrepreneurs
who related to us easily because we shared the same
value system, shared similar responses that were consequences
of an upbringing that understood Indian sentiments,
rather than being dismissive of it. I don’t at
any stage recall having mentioned that we began Mudra
with a mandate not to partner foreign clients. After
all, inclusiveness is an Indian trait. A foreign client
needs to talk to India to market his products. Isn’t
it natural that he chooses someone who knows the language?
While
describing the kind of people you were looking out for,
you mention that the idea was to go for male candidates
from joint family background who were ready to work
24x7. Don’t you think getting people with 24x7
mindframe from a joint family of 1980 was next to impossible?
Clearly not. The rolls of Mudra in the eighties is proof
enough. We had scores of people who fitted this description.
Even today it is pretty easy to find this profile. Honestly
I don’t know why you think that it is ‘next
to impossible’ to find such people.
In
both your books you emphasise that if you have a dream
you will succeed. But don’t you think that such
statements are only made in retrospect, once a person
succeeds. What would you say of those who have failed?
No. It is not a statement made in retrospect. I truly
believe and practise it even today. About people who
fail there are two reasons why it happens: one is that
they did not hold on for long enough. I’ve always
maintained that if you believe strongly enough and long
enough, you will succeed. It took all my heroes —
Dhirubhai, Giraben and Dr Verghese Kurien — their
entire lifetime to achieve their dreams. None of them
were overnight wonders. If you remain tenaciously focused
on your dream, the universe will help you get
it, as Paulo Coelho says. The keyword is tenacity.
The second reason it happens is when their dreams and
core competencies are not in tune with each other. When
they are, they will be almost subconsciously guided
into taking the right steps towards fulfilling it. For
instance I get scores of mails where people tell me
that they have an excellent film script for a TVC and
ask my advice about how to go about making it a reality.
Now, if for instance their dream to see it on air was
in sync with their competencies they would know almost
instinctively that they needed to be educated in the
craft first! And they would set about trying to get
trained rather then expecting an ad agency to jump at
their idea! So recognising your core strengths and then
dreaming in that framework will definitely bear fruit.
Does
a person have a grand vision from day one? Or does he
arrive at goal-setting after a certain experience? Do
goals evolve? At the beginning of one’s career,
what is a realistic vision: ‘I will be at the
top of advertising industry one day’ or ‘I
will start an ad firm that will be a market leader in
terms of billings and profitability;.
Some people have a grand plan and some have shifting
goalposts. Each person chooses what is most suited to
them. Both your examples are eminently possible. As
I mentioned earlier, mere dreaming is not enough. Staying
focused is key. In my case, it was shifting goalposts
most definitely. Mudra began with Vimal. When we started
doing well on that brand, we took up Rasna and so on
and so forth. It was one dream at a time for us.
Your
books talk of Indian motifs. Which ad, according to
you, is quintessentially Indian?
The work of Vimal and Rasna in the eighties and early
nineties have always been my benchmarks for its creative
use of Indian motifs.
It’s
difficult to agree with certain observations you make.
For example you say that handing down of skills is the
only way to ensure that successful creative temper lives
and grows through time. How can there be heredity in
creativity? Does that mean that employers should look
for family background during recruitment?
Our entire tradition of music, art and craft is about
the handing down of skills. And by saying that one way
is good does not mean a negation of every other way.
We have a tried and tested route that has been proved
over time to be successful. If the race has already
been half run doesn’t it make more sense to take
the baton forward rather than going back to the starting
line?
“You
should never take on anything in your life when you
don’t feel that you are right for it. There is
a time for everything in life and you will know when
it is right.” This is a very pertinent issue you
raise, as to when to take the plunge into something
new. But in providing solution to people at the crossroad,
you advise them, “Before choosing a job, choose
the industry you see yourself in, many years from now.”
Now, given the fast-changing world, isn’t there
a risk that a given industry might not exist in its
current form?
Every industry evolves over time. That is a given. If
you choose the industry you love working in you will
automatically evolve along with it. Changing with the
times is not a frightening prospect. It is a natural
progression. Being close-minded, on the other hand is
fatalistic, whatever the industry you choose.
There is a contradiction. At one point in the book you
say you never felt the need to put in your papers at
Mudra because of “100 per cent psychic ownership
of the organisation”. At another point you say,
“Tunnel vision and my total dedication and passion
for Mudra was what kept me chained to my chair.”
Does this tone of regret mean that there should be some
element of detachment from an organisation, some degree
of mercenary approach?
It was my 100 per cent psychic ownership that gave me
my “tunnel vision”. What I meant later on,
was that I never realised that life outside the four
walls of Mudra could be so rich. While I was heading
Mudra it was my all. I did not even contemplate at that
time a life outside it and I was pleasantly surprised
when I came face to face with it.
I do not subscribe to the view that passion is anything
less than 100%. But yes I do believe that when your
work is done, it is important to let go of it.
Can
you elaborate on Mudra Management Training Programme
(MMTP)? Like what were the modules like?
The programme had two modules. The first one was a three-month
intense classroom session where the principles of marketing
and marketing communication were taught. And the second
module was a nine-month onsite programme in which the
trainees were sent to the different branches of Mudra
for hands-on experience on real brands right from account
planning through to advertising operations. At the end
of the completion of the 12 month programme each MMTP
batch was absorbed in the different branches and divisions
of Mudra.
The success of MMTP inspired us to dream a much more
ambitious dream-MICA. The MMTP experience came in handy
while designing the course content for MICAs PG programmes.
In fact the MMTP structure was expanded and refined
to become what is now the course content of MICA. Though
MICA has a small core faculty, it largely draws on guest
faculty from the Indian masscomm industry. The students
profit a great deal from this ‘live’ teaching
method . Top |